Category: Design Process

My Experience as an Intern at Hennebery Eddy

By Jordan Micham, Design Intern

This summer, Hennebery Eddy has the pleasure of hosting three design interns. In a three-part series throughout the summer, each intern will share their internship experience and takeaways from their time with the firm. This month, Jordan Micham, an undergraduate student at the University of Cincinnati, describes what he’s been up to during his time with the firm. Read the previous post in this series here.

Intern at Hennebery Eddy, Jordan Micham, hiking with fellow interns
Hennebery Eddy interns and staff took a break from the office for a hike at Angel’s Rest; Jordan is on the far left.

I’ve always been drawn to the West. The dynamic terrain and variety of cultural influences made Portland an appealing destination for someone born and raised in the Midwest suburbs. Prior to starting work as an intern at Hennebery Eddy, I completed three other internships, ranging from small- to large-scale firms. Approaching my final year of my undergraduate studio, I wanted the opportunity to explore a mid-size firm in attempt to find a niche that was less corporate but still tackled more complex projects; Hennebery Eddy’s ensemble of around 65 people was the perfect scenario to do just that. The firm rests in the heart of one of the most vigorously design-oriented communities in America; Portland is a hub for creative innovation. My theme for this summer is to learn from the lifestyle of the anti-conformist creative.

In my studies at the University of Cincinnati, we’ve focused on the conceptual design process, primarily concentrating on human-spatial interaction. Getting involved in the design world through the internship program has helped me gain a better grasp on the industry and has informed my perspective on architecture more toward the concept of creating an engaging blend of form and function while designing within constraints. What they don’t teach you in the classroom is that few clients have the budget for your extreme designs. I’ve learned that architecture is often less about creating an evocative design but more about finding a way to translate the wants and needs of the client into a design that blends form and function while still satisfying the various building constraints.

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Lessons Learned: The Latest in Innovative Interior Design from NeoCon

By Jessy Miguel and Liz Bray, IIDA

Each year, Hennebery Eddy sends members of our interior design team to the NeoCon conference in Chicago, billed as “the world’s leading platform for the commercial design industry.” Jessy and Liz share what they saw at this year’s June show.

innovative interior designers at Hennebery Eddy Architects
Liz Bray and Jessy Miguel at the Chicago Skydeck during the 2019 NeoCon interior design conference.

It’s well established that beige cubicles are no longer best practice for workplace design. But the world of innovative interior design and planning is constantly progressing to promote experiences that are productive, flexible, and inspiring. Because of Hennebery Eddy’s commitment to net-positive spaces that are healthy, efficient, and adaptive, our interior design team is always keeping tabs on these advancements.

This year, NeoCon showcased a fresh perspective on contract furnishings. We were inspired by the integrity of materials, attention to detail, tactile experience, expressions of structure, and a lighthearted intelligence. The following trends stood out among manufacturers at the show.

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Architecture Internship Provides New Perspective for Design Student

By Haley Teske, Design Intern

This summer, Hennebery Eddy has the pleasure of hosting three design interns. In a three-part series throughout the summer, each intern will share their architecture internship experience and takeaways from their time with the firm. First, Haley Teske, a COTE Top Ten for Students winner and student at Montana State University, reflects on her experience so far. Read the next post in this series here.  

Haley Teske annotates drawings as part of her architecture internship
Student intern Haley Teske annotates a material palette study for the OSU Cordley Hall rehabilitation project.

My initial exposure to Hennebery Eddy began during my undergraduate experience at Montana State University. President Tim Eddy and Associate Dawn Carlton, both alumni of MSU, have been frequenting our school as active advisory council members for some years now and are highly regarded by the faculty.

Through studio critiques and my involvement with AIAS (American Institute of Architecture Students), I was quickly acquainted with both individuals and found them memorable due to a tangible authenticity. Fast-forward to graduate school, I stubbornly decided that I must work in Portland after deeming it one of the best design cities in the states. Hennebery Eddy immediately came to mind. Dawn was generous enough to give me a tour of the office, and I found the firm extremely appealing. Each design projected a distinct character to its history, site, and use as opposed to the ego of an architect. Rarely does a firm display attention to the needs of a project on such an apparent scale. If this firm listened so well to its clients, then it must listen as closely to the needs of its employees.

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What I Learned from the Net Zero Emerging Leaders Internship

Hennebery Eddy Architects Net Zero Emerging Leaders intern Madelaine Murray
Hennebery Eddy Architects Net Zero Emerging Leaders intern Madelaine Murray, left, works with design staff member Pooja Kashyap to capture project data for the DDx.

In 2019, Hennebery Eddy received a Net Zero Emerging Leaders Internship grant from Energy Trust of Oregon to hire a sustainable design student intern to help us comply with our Architecture 2030 Commitment, integrate new sustainable design QC checks throughout our design process, and conduct post-occupancy evaluations focused on building performance. The internship demonstrates our dedication to the 2030 pledge and our broader net-positive philosophy and integrated sustainable design process. In the second post of a two-part series, intern Madelaine Murray shares her what she learned from her time at Hennebery Eddy. Read her first post here.

Purpose

The primary role of Net Zero Emerging Leaders Intern for Hennebery Eddy is to help our sustainability committee report the firm’s 2018 projects performance metrics, using AIA’s Architecture 2030 Commitment tool called Design Data Exchange (DDx).

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Building the Future of Historic Preservation: Teaching a Course on Building Preservation Plans

Nestled on a hilltop above Skyline Boulevard in Southwest Portland, the Aubrey Watzek House sits quietly, almost as a suspended moment of early modernism just minutes from downtown Portland. The Watzek House, designed by renowned Oregon architect John Yeon and built in 1937, is his masterpiece in wood and the precursor to Pacific Northwest Regional Modernism. The house is now owned by the University of Oregon’s College of Design.

This famous house has carefully articulated use guidelines — and designation as a National Historic Landmark and a local City of Portland landmark. But the house, like any aging structure, is showing its susceptibility to age and the Pacific Northwest elements. While a roof replacement is planned for the short term, the Watzek House requires a long-term preservation plan that takes a proactive approach to anticipating, planning for, and implementing maintenance and repairs that retain the historic building’s integrity. A comprehensive look at the building’s current condition, use, and its future is also long overdue. This need is the impetus behind a graduate-level historic preservation planning course taught by principal David Wark and associate Carin Carlson at the University of Oregon’s School of Architecture & Environment Historic Preservation Program.

A group of historic preservation planning students stand on the lawn outside of a the Aubrey Watzek House, an example of Pacific Northwest regional Modernism.
Students outside the Aubrey Watzek House in Portland, Ore.

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Structural Steel Construction Complete at PDX Concourse E Extension

Milestone marks midway point for construction of the 148,000-square-foot Concourse E extension at Portland International Airport, anticipated to open mid-2020

Construction workers watch a steel beam being placed by a crane at Portland International Airport.
Part of #pdxnext, construction workers placed the last piece of structural steel on PDX’s Concourse E Extension. Photo courtesy of Jerry McCarthy, Port of Portland.

Construction workers placed the last piece of structural steel for the 148,000-square-foot expansion of Concourse E at Portland International Airport Thursday, Feb. 21. Part of the Port of Portland’s PDXNext program, a series of updates and upgrades to deliver a convenient, comfortable, uniquely PDX experience for travelers and employees now and into the future, the Concourse E expansion extends 830 feet east along the airport’s entry drive, adding six passenger gates and balancing the number of passengers using the north and south sides of the airport. The $215 million project began construction in 2017 and is on schedule to open mid-2020.

Poised as an impactful gateway to the airport, the Concourse E extension will create a memorable entry to PDX, named Best Domestic Airport by Travel + Leisure for the sixth consecutive year in 2018. The project also includes additional concessions, restrooms, support spaces, and amenities. Representatives from Portland International Airport, Skanska, Hennebery Eddy Architects, and Fentress Architects attended a topping-out ceremony, placing a signed beam to mark the occasion.

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Net Zero Emerging Leaders Intern: Introducing Madelaine

Net Zero Emerging Leaders Intern Madelaine Murray working at Hennebery Eddy Architects. The NZEL internship is funded from a grant from Energy Trust of Oregon.
Net Zero Emerging Leaders intern Madelaine Murray consults with design staff and sustainability committee member Pooja Kashyap.

In 2019, Hennebery Eddy received a Net Zero Emerging Leaders Internship grant from Energy Trust of Oregon to hire a sustainable design student intern to help us comply with our Architecture 2030 Commitment, integrate new sustainable design QC checks throughout our design process, and conduct post-occupancy evaluations focused on building performance. The internship demonstrates our dedication to the 2030 pledge and our broader net-positive philosophy and integrated sustainable design process. In the first of a series of blog posts, intern Madelaine Murray shares her initial reflections from the experience.

I’m Madelaine Murray, a graduate student in the College of Design at the University of Oregon – Portland. One of the advantages to studying in Portland is the ability to work at an architecture firm alongside classes, especially in a city acting as a hub for sustainable culture and mindful design. Hennebery Eddy is a very familiar name at the UO Portland, advocating for net-positive design, and several staff members have served as visiting reviewers for student projects. Hennebery Eddy is certainly a role model for successful projects rooted in context and for utilizing design principles relating to sustainability and thinking long term. University of Oregon encourages students to think beyond the buzzword of “sustainability,” allowing students to focus on many different avenues of design, such as adaptive reuse, resiliency, and energy efficiency. What was enticing about becoming a Net Zero Emerging Leader is advocating for these concepts beyond the academic realm. Reading about a building’s energy use in a textbook is not nearly as impactful as discussing it with a project team aiming reach a specific EUI goal. In a way, the NZEL program lets aspiring architects like me watch these sustainable design principles come to life.

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First Annual ‘Net-Positive Awards’ Recognize Sustainable Design Excellence

net-positive energy design awards Hennebery Eddy Architects

In 2018, Hennebery Eddy placed No. 31 on the Architect 50 – a ranking of the top 50 firms in the country – bolstered by our strong showing in the sustainable design category. Our net-positive philosophy and design approach landed us at No. 11 in that category.

We aspire to design net-positive solutions through healthy, efficient, and adaptive spaces that are responsive to our clients, the environment, and the people who use them.

To recognize our project teams’ achievements in healthy, efficient, and adaptive (HEA) design, 2018 also saw us launch an “HEA Net-Positive Awards” program for projects that recently completed design or construction. The 12 entries ranged in size, market, and style and featured net-positive stories that included innovations in daylighting, careful use of mindful materials, historic preservation, and impressive energy use reduction. A panel of five judges from among our staff honored the following projects.

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Here Lies Hunger: Hennebery Eddy’s Award-Winning ‘Canstruction’ Partnership with INLINE Construction

Two design-build partners. One Revit model. Six hours to build. And 3,515 cans.

“Here Lies Hunger” brought home two awards from this year’s Canstruction Portland volunteer competition benefitting the Oregon Food Bank: Best Use of Labels and People’s Choice. Hennebery Eddy teamed with INLINE Commercial Construction to dream up this design-build canstructure paying homage to the original Oregon Trail educational computer game ubiquitous in 1970s, ’80s, and ’90s classrooms.

Team Leader Jacob Simonson: “We realized that if we wanted to have a really successful structure, it needed to be something that someone could relate to and already had some sort of connection to.”

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Portland Art Museum Expansion Enhances Accessibility and Connection to City

Portland firm Hennebery Eddy Architects draws on local urban design, regulatory and historic preservation experience, collaborates with Chicago-based Vinci Hamp Architects for design of Rothko Pavilion

Sketch of one conceptual option for the Rothko Pavilion. The design supports the museum’s goals of new and enhanced art, program and public space.
Sketch of one conceptual option for the Rothko Pavilion.

The Portland Art Museum and its acclaimed collections will become more accessible to both visitors and passersby through the design of its new Rothko Pavilion. The pavilion, an addition announced in 2016, will connect the Museum’s existing Main and Mark buildings and add 30,000 square feet of community and exhibition space. The updated expansion design concept incorporates the existing Madison Street passageway between 10th and Park Avenues into a sheltered, public passageway with views into the community commons and Museum gallery spaces. Portland architecture firm Hennebery Eddy Architects is collaborating with Chicago-based Vinci Hamp Architects on the design; their work evolves the original 2015 concept to advance the museum’s goals of new and enhanced art, program and public space, and increased accessibility within and through the museum, as well as support Portland’s urban landscape.

“This expansion is an exciting opportunity to add and improve spaces for art and education as well as increase access to the renowned cultural treasures and programs of the Portland Art Museum,” said Brian Ferriso, The Marilyn H. and Dr. Robert B. Pamplin Jr. Director and Chief Curator of the Museum.

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