In 2018, Hennebery Eddy placed No. 31 on the Architect 50 – a ranking of the top 50 firms in the country – bolstered by our strong showing in the sustainable design category. Our net-positive philosophy and design approach landed us at No. 11 in that category.
We aspire to design net-positive solutions through healthy, efficient, and adaptive spaces that are responsive to our clients, the environment, and the people who use them.
To recognize our project teams’ achievements in healthy, efficient, and adaptive (HEA) design, 2018 also saw us launch an “HEA Net-Positive Awards” program for projects that recently completed design or construction. The 12 entries ranged in size, market, and style and featured net-positive stories that included innovations in daylighting, careful use of mindful materials, historic preservation, and impressive energy use reduction. A panel of five judges from among our staff honored the following projects.
Hennebery Eddy’s rehabilitation of the c.1939 Chapman Hall at the University of Oregon garnered a 2018 DeMuro Award from Restore Oregon, a nonprofit that advocates for preservation and reuse of historic structures. The DeMuro Awards honor extraordinary historic rehabilitation projects across Oregon, recognizing the creativity, persistence, and craftsmanship required by outstanding restoration projects.
Hennebery Eddy hosted two interns this summer, both of whom are working on Master of Architecture degrees from the University of Oregon – Portland focused on historic preservation. In the second of this two-part series, Shannon Hines shares highlights from her historic preservation internship and takeaways from her time with the firm. Click here for Michael Moran’s experience.
Throughout school, I have had an interest in the historic preservation side of architecture and have taken both architecture and historic preservation classes at the University of Oregon – Portland. I first learned about Hennebery Eddy through one of my architecture studios when Tim Eddy came to talk with us about the Albina Vision effort the firm had been working on and learned more when Josette Katcha came into a historic preservation class to talk about her role as a specialist in the firm’s historic resources group. This was how I learned about Hennebery Eddy’s strong historic preservation expertise. This interested me because I would be able to combine my studies in a professional setting.
Hennebery Eddy hosted two interns this summer, both of whom are working on Master of Architecture degrees from the University of Oregon – Portland focused on historic preservation. In this two-part series, Michael Moran and Shannon Hines share highlights from their historic preservation internship and takeaways from their time with the firm. Read on for Michael’s experience, and click here to read about Shannon’s internship.
I was first introduced to Hennebery Eddy through my second studio at U of O in Portland. We adopted Hennebery Eddy’s Albina Vision urban design concept and focused on the design of a cultural building that would connect the Rose Quarter to the Willamette River by spanning a plaza over Interstate Avenue. The studio collaborated with the Portland Opera for the program. It was great to have Tim come in to present the urban vision, and to have such an aspirational framework to provide inspiration for our designs. I like the philosophy of the firm, especially the commitment to thinking about the long-term life of a building.
Portland firm Hennebery Eddy Architects draws on local urban design, regulatory and historic preservation experience, collaborates with Chicago-based Vinci Hamp Architects for design of Rothko Pavilion
The Portland Art Museum and its acclaimed collections will become more accessible to both visitors and passersby through the design of its new Rothko Pavilion. The pavilion, an addition announced in 2016, will connect the Museum’s existing Main and Mark buildings and add 30,000 square feet of community and exhibition space. The updated expansion design concept incorporates the existing Madison Street passageway between 10th and Park Avenues into a sheltered, public passageway with views into the community commons and Museum gallery spaces. Portland architecture firm Hennebery Eddy Architects is collaborating with Chicago-based Vinci Hamp Architects on the design; their work evolves the original 2015 concept to advance the museum’s goals of new and enhanced art, program and public space, and increased accessibility within and through the museum, as well as support Portland’s urban landscape.
“This expansion is an exciting opportunity to add and improve spaces for art and education as well as increase access to the renowned cultural treasures and programs of the Portland Art Museum,” said Brian Ferriso, The Marilyn H. and Dr. Robert B. Pamplin Jr. Director and Chief Curator of the Museum.
Regardless of whether the City of Portland adopts a mandate requiring the seismic retrofit of unreinforced masonry (URM) buildings, the realities of a probable major seismic event in the next 50 years are sobering — with life-altering, social, financial and economic implications for everyone in the region. For many building owners, a retrofit requirement may seem financially infeasible if they lack the liquidity to pay for potential retrofits and cannot secure funding from risk-averse lenders. Though it may be months or even years before the city finalizes or implements a mandate, building owners can and should start evaluating now the potential costs of seismic retrofits to protect life and property — and whether federal, state or other grant money may be applied to offset these costs.
Two Hennebery Eddy teams presented in April at the 2018 Pacific Regional Conference of the Society of College and University Planning (SCUP), sharing takeaways from two recent academic projects, and offering participants actionable tools for their own campus planning projects.
Master Planning for Aspirational Outcomes: Rogue Community College Master Plan
A good campus master plan goes beyond infrastructure and site selection; it can impact the vision, strategy and growth trajectory of an educational institution. For Rogue Community College, Hennebery Eddy led a series of visioning workshops to plan for the future needs of the Table Rock Campus. On a compressed timeline, the team helped RCC articulate a project charter using integrated planning strategies. The team analyzed enrollment and classroom utilization data to make informed programming decisions, and conducted future vision planning, or “backcasting,” to identify a target future outcome, and work backwards to articulate the steps and processes needed to achieve that outcome.
Rogue Community College President Cathy Kemper-Pelle introduced the session, summarizing RCC’s main strategies for integrating industry partners and creating real-world work scenarios in the classroom. Gregg Sanders, associate principal and a leader in academic master planning and project management, then led SCUP session attendees through establishing a project charter, which can be used as a reference and touch point throughout the project decision-making process. He also conducted a backcasting exercise, which enables varying stakeholders to work beyond their current planning constraints and reconcile disparate goals with other decision-makers by working toward a shared vision. Interior designer Ashley Nored reviewed how the team gathered input from different user groups, accommodated RCC’s program priorities with student needs, and developed a phased plan for implementation.
The Portland Art Museum has selected Hennebery Eddy Architects as the Architect of Record for the museum’s renovation and expansion to provide enhanced access to the museum for people of all ages, including those with disabilities.
The project is currently in a due diligence, pre-design, and fundraising phase. Hennebery Eddy will collaborate with the Design Architect, Vinci Hamp Architects of Chicago, to develop the scope of work for the project and to refine design concepts first unveiled in 2015.
The art museum design concept articulates a connections-driven campus with the proposed new Rothko Pavilion at its center. More information can be found on the museum’s project website.
Historical architect, urban design advocate recognized for historic preservation achievements and contributions to profession and society
Hennebery Eddy Architects, Inc., is pleased to announce that Principal David E. Wark has been elected to the AIA College of Fellows. Elevation to Fellow is the highest honor awarded by the AIA and recognizes significant achievements of the individual and contributions to both the profession of architecture and society on a national level. David joins approximately 3 percent of AIA members who have earned this recognition.
Throughout his 40-year career, David has successfully resolved the inherent tension between maintaining the integrity of historic places and the necessity of accommodating change. His preservation efforts have resulted in renewed opportunities for education, a revival in recreation activities, and revitalized neighborhoods via the rehabilitation and adaptive reuse of historic properties. David’s design approach has benefitted public libraries, colleges and universities, and national park properties; in his role as a City of Portland Design Commissioner and chairperson, he influenced hundreds of urban design and development efforts.
Josette Katcha, a member of Hennebery Eddy’s Historic Resources Group, will be a guest lecturer during the Session 2: Materials Intensive week of the University of Oregon’s 2017 Pacific Northwest Preservation Field School, located this year at Fenn Ranger Station in the Nez Perce-Clearwater National Forest in Idaho. She will share the findings of Hennebery Eddy’s recent assessment of 1930s Civilian Conservation Corps (CCC) structures in Washington State Parks. Her architectural preservation lecture will focus on CCC/Works Progress Administration materials, conditions, and treatment recommendations. Josette will speak the evening of Monday, Aug. 21.